“When
it is work, people try to figure out
how to do less. When it is art, people try to figure out how to do
more. Thus the question: Will this be on
the test?” --Seth Godin
Humor
me for a minute. I want to ask a
question that may not have a good answer and may even make you mad:
How
can we get students as emotionally and mentally involved in our academic final
exams and projects as they are in creating art—both musical and visual?
The
simple answer might be, “We can’t.” Yet
we have all seen glimpses and possibilities.
The Background:
|
Hamilton Southeastern Choir performing a medley from Wicked |
I
stood backstage several Fridays ago and watched our choir seniors perform their
final song together as a class. The performance
was outstanding, and emotions ran high. After
the show, there were hugs all around. Smiles
and tears were evident in equal numbers.
The performance was a fitting conclusion to an outstanding evening of
music featuring hits from Broadway musicals.
These seniors put in a tremendous amount of time, energy, and work to
make the show a success.
Choir
students are not the only artists pouring their energy, talents, and hearts
into the end of the year performances. HSE
Wind Ensemble will soon play at the Palladium, the Orchestra students have their
final concert Monday, and throughout the school student artwork is on exhibit. All of these artists take the risk of putting
themselves and their work out for public display. It is an act of courage.
|
Self Portrait by Katherine Thomas Used with permission |
What is school for?
This
past week, I watched Seth Godin’s TED Talk on changes coming to education. I quoted him at the top of this entry. It might be worth reading his words again. In his TED Talk, he asks the essential
question, “What are schools for?” He explains
that during the Industrial Era, the purpose was clear: Schools were designed to create compliant and
interchangeable students who could work in factories and become consumers. (He points out that these institutions were
even called “normal” schools.) Today,
this purpose is neither what our world nor our students need.
Godin
argues that an educational system designed to create compliance cannot generate creative, independent,
problem-solvers. It will not generate passion.
Who, for example, can be creative if there is only one right answer, and
who can become passionate about a multiple-choice test or reading a chapter in
a textbook and answering the questions at the end?
Another Possibility?
Think
of times when you have seen students do much, much more than you asked or
expected. Recall those days when students
became fully engaged and invested in an assignment, when they become so
interested in the doing and learning that the question “Will this be
on the test?” never came into consideration.
Think of classes where students argued passionately about a topic,
discussed deeply and thoroughly, or were so interested that they researched on
their own and came back with new and innovative ideas.
When
this happens, students are creating and co-creating. We have all experienced this phenomenon, and
when it happens, we are every bit as energized as the students. Together, we become part of the creative
process. It is the difference between work and art that Godin speaks of.
The Question Again
Is
it possible to get students in all classes as excited, as energized, as
committed to a final exam as the choir, orchestra, band, and art students are
to their final performances and products?
The answer may depend on our definition of what makes a final exam. What if a final exam wasn’t something
students took? What if it was something students gave?
In
traditional academic classes, we don’t typically have performances or shows,
nor do we often see students fully committed to the creative process associated
with the arts. I would argue that
doesn’t mean we don’t try to move students in that direction. As we continue to think about performance
assessments, our definitions of what makes a final could change.
One or the Other: A False
Dichotomy
Education
is a wonderful profession, and one of the joys is that we don’t have to do what
we have always done. We can experiment
and try new approaches. Maybe we can’t design
exams and assignments that encourage and create the emotional energy required
of the students who sang and danced to the songs of Wicked last Friday night, and maybe we can’t create a traditional
test that personally involves a student to the degree of the huge
self-portraits we see in our hallways.
On
the other hand, we can include performance assessments that give choice,
involve student interests and passions, or provide authentic audiences. It is not like we have to do one and not the
other. We can give a traditional final
exam, and we can include engaging performance assessments. The art of teaching also involves
creativity, passion, and perseverance.
No artist creates a masterpiece on the first attempt, and neither will
we. We can, however, persevere on our
journey to inspire excellence.
Henri
Matisse said, “Creativity takes courage.”
Do we dare, like our students, to be artists?
Have
a great week, HSE.
Phil
- “Creativity is allowing yourself
to make mistakes. Art is knowing which
ones to keep.” --Scott Adams
- “Every child is an artist. The problem is how to remain an artist once
he grows up.” --Pablo Picasso
- “We are the music makers, and we are the
dreamers of dreams.” --Arthur
O’Shaughnessy